
Harold and Maude is the kind of cinema that draws you in for the storyline and keeps you there for the beating heart. It’s a film unapologetically of its time – the wardrobe, cinematography and Cat Stevens soundtrack place it firmly in the 70s – but its themes of joy and redemption resonate now more than ever. – The Guardian
By Mike Stevenson | WRIU.org

Farjeon’s tales of talking sea serpents and stew-eating chimpanzees bring the far near and turn ordinary weather into an astronomical adventure. With pen-and-ink illustrations by the maritime master artist Edward Ardizzone, Jim at the Corner is an old-fashioned adventure for the eyes and the ears. – NY Review of Books
“Morning Has Broken” has extra meaning for me. The lyrics were written in 1931 to an even-older Gaelic tune, by one Eleanor Farjeon. Farjeon was a poet and also an author of children’s books. I used to read Farjeon’s book Jim at the Corner to my daughter Caleigh at her bedside. The book’s main character “Jim” tells tall tales to children at a street corner in his village.
His best story is when “Jim” marries a penguin and becomes their king. Hilariously odd, could anything be more of a contrast to the solemn hymnlike “Morning Has Broken,” than the idea of marrying a penguin? Whenever I hear “Morning Has Broken,” I then think of Eleanor Farjeon, and then Jim marrying a penguin, and then my little Caleigh snuggled in bed.
On the track “Rubylove” (Cat’s nod to his Greek heritage) he features traditional bouzouki and sings a verse in his Cypress-born father’s native language.
And thank god for Greeks! Lamb souvlaki, dark olives, John Casevette’s movies, Platonic relationships, Nana Mouskouri, and especially Cat Stevens.
Some 30 years ago, I remember singing “If I Laugh” with my friend Mike Monti over more than one bottle of wine at an outdoor cafe in Siena. What an evening that was, concluded by kicking a soccer ball with children in Piazza del Campo!

“It’s best not to be too moral. You miss out on too much life.” – Maude